3262 results
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater reflects on his “community photography” article for Camerawork and the magazine’s goal of ...
Politics of Photographyand democratic decision-making informed almost all parts of the creative p...
Slater discusses ’s internal debates regarding representing Politics of Photography and his impl...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Amin describes attending Four Corners’ Practice & Processes under Wilf Thust, Jo Spence, and Paul...
Amin describes meeting Channel 4’s Alan Fountain and being commissioned to write a script for a f...
Amin describes the events leading up to and after the creation of his first film, Purbo London, w...
Amin reflects on his experiences as a young adult trying to break into filmmaking, and ultimately...
Amin describes working as an editor and learning at Four Corners’ workshops with Wilf Thust.
Amin describes the first camera he ever purchased and learned how to use in East London, and his ...
Amin describes his family’s migration to Britain in his teenage years from Bangladesh, his first ...
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Meadows discusses the end of Allie Street, which signalled Camerawork’s move to Roman Road.
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Meadows discusses the origins, creative process and reception of Half Moon’s first Women’s exhibi...
Meadows recalls the efforts Half Moon made to reduce the elitist stigma around photography as art...
