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Welcome to
Four Corners Archive

 

Four Corners Archive explores and documents the film and photographic heritage of Four Corners, Half Moon Photography Workshop, and Camerawork Magazine, from 1972–1987.

Four Corners and Half Moon Photography Workshop (later Camerawork) were two innovative cultural organisations, based in East London. Their early work played a major role in the development of the radical film and photographic practice characteristic of the 1970s and early 1980s.

The project brings these unique archival resources into the public realm, making this important contribution to British cultural history widely accessible for the first time.

How to use the archive

You can search our archive in different ways and even save items to your lightbox to email the link for another day.

Use the sidebar to…

   Choose a theme to search for all items and
   any articles relating to that theme

   Search by keyword and format

   View my Lightbox

   View and filter the timeline

Download our handy user manual for further functions.

Four Corners Archive is made possible through the generous support of the Heritage Lottery Fund and the Paul Mellon Centre for Studies in British Art.

 

 

Articles

Towards a New Politics of Photography

Politics of photography
Frances Whorrall-Cambell


In the first issue of Camerawork Jo Spence sought to explore what she called ‘the politics of photography’. For Spence, images had an ideological content, expressed through a ‘series of visual signals and short cuts’ which needed to be unpicked by reading the context from which the photographs sprung and the intentions of their creator.

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This project is dedicated to the fond memory of Ed Barber (1949–2017), an important early member of the Half Moon Photography Workshop and Camerawork magazine, whose energy and enthusiasm helped create this project.