257 results
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Plemper describes why he took to photographing his pupils as a young teacher.
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Kennard describes his HMPW laminated exhibition A Document on Chile
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...
Vaidyanathan talks about his desire to learn more about art and photography. He started going to ...
Vaidyanathan describes how first met Ruhul Amin and how he came to be involved in Amin’s film, A ...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
- Anita Corbin, Sheila Gray, Sally Greenhill, Claire Hersham, Pam Isherwood, Jenny Matthews, Lesl...
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
