3262 results
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Amin describes his family’s migration to Britain in his teenage years from Bangladesh, his first ...
Amin describes the first camera he ever purchased and learned how to use in East London, and his ...
Amin describes working as an editor and learning at Four Corners’ workshops with Wilf Thust.
Amin reflects on his experiences as a young adult trying to break into filmmaking, and ultimately...
Amin describes the events leading up to and after the creation of his first film, Purbo London, w...
Amin describes meeting Channel 4’s Alan Fountain and being commissioned to write a script for a f...
Amin describes attending Four Corners’ Practice & Processes under Wilf Thust, Jo Spence, and Paul...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
Slater discusses ’s internal debates regarding representing Politics of Photography and his impl...
Politics of Photographyand democratic decision-making informed almost all parts of the creative p...
Slater reflects on his “community photography” article for Camerawork and the magazine’s goal of ...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discusses the new era of photography Camerawork was a part of: it did not have to be exclu...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Pack discusses the prospect of photography being intertwined with Politics of Photography during ...
