636 results
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Pack discusses the prospect of photography being intertwined with Politics of Photography during ...
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...
Meadows describes some of the early exhibitions at Half Moon Gallery (later Half Moon Photography...
Meadows reflects upon the social commentaries made by exhibitions held at the Half Moon Gallery (...
Meadows recalls the efforts Half Moon made to reduce the elitist stigma around photography as art...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Trevor discussing the original intent of Camerawork’s first issue, which focused on documentary p...
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Trevor discussing Camerawork Magazine’s promotion of British documentary photography.
Trevor discussing the 8th issue of Camerawork Magazine which featured his photography of the Batt...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...
Vaidyanathan talks about his desire to learn more about art and photography. He started going to ...
Peck discusses the development of the film ‘Nighthawks’, Britain’s first feature film about the g...
Wilmer talks about the two events in her life which influenced her to start using photography.
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Ewald discusses early exhibitions at Camerawork, along with her interest in different types of ph...
Ewald talks about the hardship of bringing photography in the country when it was not yet recogni...
