1201 results
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Trevor discusses his photos of Brick Lane - then the most heavily policed area in the UK outside ...
The inspiration for the ‘Mass Observation’ issue of Camerawork came out of a Royal College of Art...
Trevor discussing the spirit of the magazine and its roots in the community, and representing the...
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Trevor discussing the 70s zeitgeist and political climate that allowed for Camerawork to thrive.
Trevor discussing Half Moon’s usage of flyposting, particularly in advertising exhibitions and fo...
Warren discuss how she joined Four Corners Workshop, the importance it had on her life and other ...
Warren talks about the different processes she learnt and how it affected herself and her brother...
Warren discusses how Four Corners and the workshops were used by the people, what it meant for th...
Rhodes discussing the Circles cinema programme at the Four Corners and the importance of public s...
Rhodes on how Circles used to advertise women only screenings, and how that helped with the confi...
Meadows discusses the origins, creative process and reception of Half Moon’s first Women’s exhibi...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Pack goes into detail on Camerawork Magazine's extraordinary format and printing process.
Pack reflects on an initiative with group of women who were published in Camerawork and later rep...
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
