89 results
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...
Vaidyanathan talks about his desire to learn more about art and photography. He started going to ...
Vaidyanathan describes how first met Ruhul Amin and how he came to be involved in Amin’s film, A ...
Vaidyanathan elaborates on his experience of working on the film.
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Peck discussing his early work and at the London Film School.
Peck discusses the development of the film ‘Nighthawks’, Britain’s first feature film about the g...
Peck discussing meeting independent filmmakers and the process behind getting funding for Nightha...
Peck describing the evolution of Four Corners as a place where creative ‘things could happen’, an...
Peck discussing the pressure to create more ambitious and wider-ranging independent work against ...
Peck reflects on Four Corners' relationship with local people in Bethnal Green at the time.
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...
Meadows describes some of the early exhibitions at Half Moon Gallery (later Half Moon Photography...
Meadows reflects upon the social commentaries made by exhibitions held at the Half Moon Gallery (...
Meadows recalls the efforts Half Moon made to reduce the elitist stigma around photography as art...
