201 results
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Black and white photograph of an exhibition private view
Mockup of poster for film screening at Four Corners in conjunction with the Camerawork exhibition
Portrait of George Solomonides working on a Half Moon Gallery grant funding application. Photo by...
Spring 1979; George Plemper, who had made a series of medium format portraits of members of the H...
1974; Mike Goldwater in his darkroom, inside a disused industrial fridge at the Dairy, Chalk Far...
