1415 results
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Kennard describes his HMPW laminated exhibition A Document on Chile
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...
Vaidyanathan talks about his desire to learn more about art and photography. He started going to ...
Vaidyanathan describes how first met Ruhul Amin and how he came to be involved in Amin’s film, A ...
Peck discussing his early work and at the London Film School.
Peck discusses the development of the film ‘Nighthawks’, Britain’s first feature film about the g...
Peck discussing meeting independent filmmakers and the process behind getting funding for Nightha...
Peck discussing the pressure to create more ambitious and wider-ranging independent work against ...
Peck reflects on Four Corners' relationship with local people in Bethnal Green at the time.
Wilmer talks about the two events in her life which influenced her to start using photography.
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Photomontage of Camerawork on Roman Road used in Camerawork Issue 30
People at work at Four Corners
