1201 results
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Amin describes his family’s migration to Britain in his teenage years from Bangladesh, his first ...
Amin describes working as an editor and learning at Four Corners’ workshops with Wilf Thust.
Amin describes the events leading up to and after the creation of his first film, Purbo London, w...
Amin describes attending Four Corners’ Practice & Processes under Wilf Thust, Jo Spence, and Paul...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
Slater discusses ’s internal debates regarding representing Politics of Photography and his impl...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Pack goes into detail on Camerawork Magazine's extraordinary format and printing process.
Pack reflects on an initiative with group of women who were published in Camerawork and later rep...
Ewald describes her arrival in London and the beginnings of Half Moon gallery.
Ewald talks about the first exhibition at Half Moon and fundraising for the gallery.
Ewald talks about the hardship of bringing photography in the country when it was not yet recogni...
Trevor discusses his photos of Brick Lane - then the most heavily policed area in the UK outside ...
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Trevor discussing the 70s zeitgeist and political climate that allowed for Camerawork to thrive.
Trevor discussing Half Moon’s usage of flyposting, particularly in advertising exhibitions and fo...
