1209 results
Black and White photograph from Derby Day - Ed Baxter
Rhodes discussing the Circles cinema programme at the Four Corners and the importance of public s...
Rhodes on how Circles used to advertise women only screenings, and how that helped with the confi...
Peck discussing his early work and at the London Film School.
Peck discusses the development of the film ‘Nighthawks’, Britain’s first feature film about the g...
Peck discussing meeting independent filmmakers and the process behind getting funding for Nightha...
Peck describing the evolution of Four Corners as a place where creative ‘things could happen’, an...
Peck discussing the pressure to create more ambitious and wider-ranging independent work against ...
Meadows discusses the origins, creative process and reception of Half Moon’s first Women’s exhibi...
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Amin describes his family’s migration to Britain in his teenage years from Bangladesh, his first ...
Amin describes working as an editor and learning at Four Corners’ workshops with Wilf Thust.
Amin describes the events leading up to and after the creation of his first film, Purbo London, w...
Amin describes attending Four Corners’ Practice & Processes under Wilf Thust, Jo Spence, and Paul...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discusses ’s internal debates regarding representing Politics of Photography and his impl...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
