1201 results
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Amin describes attending Four Corners’ Practice & Processes under Wilf Thust, Jo Spence, and Paul...
Amin describes meeting Channel 4’s Alan Fountain and being commissioned to write a script for a f...
Amin describes the events leading up to and after the creation of his first film, Purbo London, w...
Amin reflects on his experiences as a young adult trying to break into filmmaking, and ultimately...
Amin describes working as an editor and learning at Four Corners’ workshops with Wilf Thust.
Amin describes the first camera he ever purchased and learned how to use in East London, and his ...
Amin describes his family’s migration to Britain in his teenage years from Bangladesh, his first ...
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Meadows discusses the origins, creative process and reception of Half Moon’s first Women’s exhibi...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Peck discussing the pressure to create more ambitious and wider-ranging independent work against ...
Peck describing the evolution of Four Corners as a place where creative ‘things could happen’, an...
Peck discussing meeting independent filmmakers and the process behind getting funding for Nightha...
Peck discusses the development of the film ‘Nighthawks’, Britain’s first feature film about the g...
Peck discussing his early work and at the London Film School.
Rhodes on how Circles used to advertise women only screenings, and how that helped with the confi...
