85 results
Meadows reflects upon the social commentaries made by exhibitions held at the Half Moon Gallery (...
Meadows describes some of the early exhibitions at Half Moon Gallery (later Half Moon Photography...
Wilmer describes the success of her first major exhibition at the V&A, her work for the Times as ...
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...
Wilmer discusses how she got her first major exhibition at the V&A in 1972.
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about the two events in her life which influenced her to start using photography.
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes his HMPW laminated exhibition A Document on Chile
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper describes why he took to photographing his pupils as a young teacher.
Slaggy island improved - four children outside
