681 results
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Trevor discussing Camerawork Magazine’s promotion of British documentary photography.
Peck discusses the development of the film ‘Nighthawks’, Britain’s first feature film about the g...
Wilmer talks about the two events in her life which influenced her to start using photography.
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
Slater discusses ’s internal debates regarding representing Politics of Photography and his impl...
Slater reflects on his “community photography” article for Camerawork and the magazine’s goal of ...
Slater discusses the new era of photography Camerawork was a part of: it did not have to be exclu...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Pack discusses the prospect of photography being intertwined with Politics of Photography during ...
Ewald discusses early exhibitions at Camerawork, along with her interest in different types of ph...
Ewald talks about the hardship of bringing photography in the country when it was not yet recogni...
Trevor discussing the original intent of Camerawork’s first issue, which focused on documentary p...
Trevor discussing the 8th issue of Camerawork Magazine which featured his photography of the Batt...
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...
