1195 results
Rhodes discussing the Circles cinema programme at the Four Corners and the importance of public s...
Rhodes on how Circles used to advertise women only screenings, and how that helped with the confi...
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Wilmer describes the success of her first major exhibition at the V&A, her work for the Times as ...
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Amin describes his family’s migration to Britain in his teenage years from Bangladesh, his first ...
Amin describes the first camera he ever purchased and learned how to use in East London, and his ...
Amin describes working as an editor and learning at Four Corners’ workshops with Wilf Thust.
Amin reflects on his experiences as a young adult trying to break into filmmaking, and ultimately...
Amin describes the events leading up to and after the creation of his first film, Purbo London, w...
Amin describes meeting Channel 4’s Alan Fountain and being commissioned to write a script for a f...
Amin describes attending Four Corners’ Practice & Processes under Wilf Thust, Jo Spence, and Paul...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
Slater discusses ’s internal debates regarding representing Politics of Photography and his impl...
Slater reflects on his “community photography” article for Camerawork and the magazine’s goal of ...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
