102 results
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
Slater discusses ’s internal debates regarding representing Politics of Photography and his impl...
Politics of Photographyand democratic decision-making informed almost all parts of the creative p...
Slater reflects on his “community photography” article for Camerawork and the magazine’s goal of ...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discusses the new era of photography Camerawork was a part of: it did not have to be exclu...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Issue 24: Photography and Graphic Design
Issue 2: Doing Photography War Photojournalism Third World
Issue 18: Still Images on Television, Squatting in the news, Porn, Law, Politics of Photography, ...
Issue 8: Lewisham: What are you taking pictures for?
Issue 25: Fragmentation, Sexuality and Images, Homo Erotica, Black Culture, German Montage
Issue 26: Models of Vision/New Technologies
Issue 9: The Picture Story
Black and white photograph of young people during workshop for 'Don't Think So'
Black and white photograph of a young person during a workshop for 'Don't Think So'
