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People at work at Four Corners
Empty editing room
Empty cinema
Detail shot of projector in projector room
Interior shot of dark room and offices
Four Corners workshop and cinema leaflet with workshop and cinema ratecard inside
Letter from Mary Pat Leese to someone called Gill at the BFI
Overview report of Four Corners activity for funding bid
A black and white photograph of men preparing for a shoot
Photomontage of Camerawork on Roman Road used in Camerawork Issue 30
Wilmer talks about the two events in her life which influenced her to start using photography.
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Wilmer discusses how she got her first major exhibition at the V&A in 1972.
Wilmer describes the success of her first major exhibition at the V&A, her work for the Times as ...
Wilmer talks about the beginning of Format with Maggie Murray, a women’s picture agency
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
