942 results
Interior shot of dark room and offices
Four Corners workshop and cinema leaflet with workshop and cinema ratecard inside
Letter from Mary Pat Leese to someone called Gill at the BFI
Overview report of Four Corners activity for funding bid
A black and white photograph of men preparing for a shoot
Photomontage of Camerawork on Roman Road used in Camerawork Issue 30
Wilmer talks about the two events in her life which influenced her to start using photography.
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Wilmer discusses how she got her first major exhibition at the V&A in 1972.
Wilmer describes the success of her first major exhibition at the V&A, her work for the Times as ...
Wilmer talks about the beginning of Format with Maggie Murray, a women’s picture agency
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Peck reflects on Four Corners' relationship with local people in Bethnal Green at the time.
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...
Vaidyanathan talks about his desire to learn more about art and photography. He started going to ...
Vaidyanathan describes how first met Ruhul Amin and how he came to be involved in Amin’s film, A ...
Vaidyanathan elaborates on his experience of working on the film.
Meadows discusses the end of Allie Street, which signalled Camerawork’s move to Roman Road.
