553 results
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Kennard describes his HMPW laminated exhibition A Document on Chile
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...
Vaidyanathan describes how first met Ruhul Amin and how he came to be involved in Amin’s film, A ...
Vaidyanathan elaborates on his experience of working on the film.
An early Four Corners feminist film exploring the domestic sphere. The film uses detailed close-u...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Black and white photograph of a group of women sitting and chatting
Black and white photograph of a boy and a girl listening to a recording
An invitation to the projection of Nighthawks at the Brady Club
Typed letter from Mary-Pat Leece to Jo Davis with film notes. Page 2 of 2
Flyer filled out by Four Corners asking for a prayer to be said for them by religious group 'Hera...
