786 results
A black and white photograph of two men preparing the exhibition frontage on Roman Road
A black and white photograph of two members of Half Moon Photography Workshop preparing the exhib...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Meadows discusses the origins, creative process and reception of Half Moon’s first Women’s exhibi...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Trevor discusses his photos of Brick Lane - then the most heavily policed area in the UK outside ...
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Trevor discussing the 70s zeitgeist and political climate that allowed for Camerawork to thrive.
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
