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Archive

32 results


All; keyword:Western Mail
Sort By: Name, Origination Date, Date Added
0000033_Camerawork_Magazine_Issue32_1985_front.jpg
Magazine

Camerawork Magazine - Issue 32

Issue 32: Science and Technology
19th c, advertisement, american, apalachia, arts council of great britain
19th c, advertisement, american, apalachia, arts council of great britain, body, brunel, canadian, classroom, computer, conference, cultures, discipline, documentary, education, erotic, fantasies, female, foucault, gender roles, glamour, great western railway, health, history, illumination, indians, industrialisation, isolation, jo spence, kingdom, knowledge, light, maxism, model, native, nineteenth century, nude, objectivity, panopticon, photographers in education, polysnappers, post-modernism, power, press, private, progress, public, punishment, rationality, records, review of work 1950 – 85, rhetoric, role reversal, science, scientific frameworks, sculpture, semiotics, sexual identity, sexuality, steamship, stereotype, stories, surveillance, technology, television mythologies, truth, typist, underprivileged, victorian, visual display unit, wellbeing, women, word processing
0001987_Camerawork_Policy_GalleryProgramme_85_86_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Gallery Programme with details of exhibitions held at Camerawork in 1985-86 including attendance ...
gallery programme
gallery programme
0001991_Camerawork_AnnualReport_87_88_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Camerawork Annual Report 87/88 - including report on past 12 months and planning for future
annual report
annual report
0000011_Camerawork_Magazine_Issue10_1978_cover.jpg
Magazine

Camerawork Magazine - Issue 10

Issue 10: John Berger Jean Mohr Bill Jay Letter. Danny Lyon Interviewed. D.I.Y. Exhibitions
'a seventh man', 'on photography', 'the family of man', 1973 coup, allende
'a seventh man', 'on photography', 'the family of man', 1973 coup, allende, alternative technology, attica rebellion, bikers, bill jay, black british, capitalism, captions, civil rights movement, class stereotypes, colonialism, copper industry, decline of photography, developing world, development of photography, documentary, economics of photography vs. film, editing, english psyche, exhibition captions, from photography to film, international labour office, lung disease, magnum, maternity, migrant workers, mining communities, oral history, photo-book, photography and memory, photography criticism, photomontage, pin-ups, play environments, political prisoners, pornography, post-colonialism, private vs. public photography, propaganda, publishing, racial discrimination, steel works, third world, touring exhibitions, trade unions, un, universality, us prisons, women workers, working children, workplace deaths, world health organisation
0000013_Camerawork_Magazine_Issue12_1979_cover.jpg
Magazine

Camerawork Magazine - Issue 12

Issue 12: Portraits
'public' vs. 'private' photography, 19th century photography, album photography, amateur, archetypes
'public' vs. 'private' photography, 19th century photography, album photography, amateur, archetypes, art photography, cabinet photo, calotypes, carte-de-visite, celebrity, commodification of sex, commodity, daguerrotype, david bowie, democratisation of photography, documentary, dolls, drug culture, early commercial photography, early studio portrait photography, environmental portraits, experiences of sitters, fame, families, family albums, fashion photography, glamour, holiday photos, hollywood, homelessness, housing, individuality, Memory, mothers, national campaign for the homeless, objectification, paparazzi, photo-portrait, pictorialism, pin-up, pop art, pornography, portrait, portrait photography, portrait photography vs paintings, portraits of musicians, portraiture, poverty, prostitutes, prostitution, publicity, punk, record industry, rembrandt, second sight, self-portrait, shelter, snapshots, star system, stereograph, storyville portraits, studio portrait photography, subculture, the nude, weegee, women photographers
0000029_Camerawork_Magazine_Issue29_1983_cover.jpg
Magazine

Camerawork Magazine - Issue 29

Issue 29: Images of the Left, McClaren on Cable, Photomontage, Stuart Hall, Video
1981, advertising, album covers, alternative, atrocity
1981, advertising, album covers, alternative, atrocity, band, beirut, beta, branding, broadcast, cable, campaign, colin roach, committing photography, community activism, community arts, community practice, conflict, constraints, darkroom, documentary, documentary realism, east london media forum, economic recession, edinburgh television festival, entertainment, exit photography group, factory records, fashion, female representation, film, format, funding, genocide, graphic design, ideology, inner cities, interview, interviews, invasion, isaac julien, israel, labour, labour party, lebanon, left, london video arts, malcolm mclauren, milton keynes, montage, mtv, music, nam june paik, network, new media, new order, photographing television, photojournalism, picture agency, political photograph, pop, popular, poverty, press, promotion, record industry, record sleeve, rentasnap, rio cinema, riots, self-portrait, simulation, slide, socialism, socialist realism, stuart hall, studio, style, survival programmes, taking tv pictures, tape/slide, television, the photo co-op, vhs, video, video art, video distribution, video exhibition, war, women’s photography, working class, youth vote, zionism
0000030_Camerawork_Magazine_Issue30_1984_cover.jpg
Magazine

Camerawork Magazine - Issue 30

Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of War
act of looking, advertising, american, anthropology, appropriation
act of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
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