3262 results
Colour photograph of a group of men in front of the portable darkroom during the Camera Obscura e...
Colour photograph of a young man holding a photo print of himself during the Camera Obscura event...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Cover for a booklet that reproduces the contents of Camerawork Issue 13
An early Four Corners feminist film exploring the domestic sphere. The film uses detailed close-u...
Vaidyanathan elaborates on his experience of working on the film.
Vaidyanathan describes how first met Ruhul Amin and how he came to be involved in Amin’s film, A ...
Vaidyanathan talks about his desire to learn more about art and photography. He started going to ...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes his HMPW laminated exhibition A Document on Chile
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper describes why he took to photographing his pupils as a young teacher.
Letter to Caroline Spry of Four Corners from Alan Fountain at Channel Four about funding
