793 results
Exhibition Text
Letter to Kate Bush from David Hevey
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...
Meadows describes some of the early exhibitions at Half Moon Gallery (later Half Moon Photography...
Meadows reflects upon the social commentaries made by exhibitions held at the Half Moon Gallery (...
Meadows recalls the efforts Half Moon made to reduce the elitist stigma around photography as art...
Meadows discusses the origins, creative process and reception of Half Moon’s first Women’s exhibi...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Trevor describing his involvement with the Half Moon Gallery & Workshop, volunteering for 8 years.
Trevor discussing the 70s zeitgeist and political climate that allowed for Camerawork to thrive.
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Wilmer describes the success of her first major exhibition at the V&A, her work for the Times as ...
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
