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Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Peck discusses the development of the film ‘Nighthawks’, Britain’s first feature film about the g...
Peck discussing the pressure to create more ambitious and wider-ranging independent work against ...
Peck reflects on Four Corners' relationship with local people in Bethnal Green at the time.
Trevor discussing many of the contemporaries that worked in or with Camerawork Magazine through t...
Warren discuss how she joined Four Corners Workshop, the importance it had on her life and other ...
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...
Meadows recalls the efforts Half Moon made to reduce the elitist stigma around photography as art...
Pack discusses the prospect of photography being intertwined with Politics of Photography during ...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Shot on location in Newham, East London, On Allotments might be regarded as a companion piece to ...
Programme notes for the Third International Avant-Garde Festival
Booklet to accompany the exhibition
Directed by Ron Peck, assisted by Paul Hallam, Nighthawks was the first British fiction feature w...
1974; Mike Goldwater in his darkroom, inside a disused industrial fridge at the Dairy, Chalk Far...
Autumn 1975; Jo Spence in the new office that the Half Moon Theatre had made available, a small s...
March 1978 - Richard Platt and Nickey Hughes, now part time staff at the HMPW, at work on tourin...
Artists' CVs