451 results
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
- Anita Corbin, Sheila Gray, Sally Greenhill, Claire Hersham, Pam Isherwood, Jenny Matthews, Lesl...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Ewald discusses early exhibitions at Camerawork, along with her interest in different types of ph...
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...
Meadows describes some of the early exhibitions at Half Moon Gallery (later Half Moon Photography...
Meadows reflects upon the social commentaries made by exhibitions held at the Half Moon Gallery (...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Meadows discusses the end of Allie Street, which signalled Camerawork’s move to Roman Road.
Trevor discussing the 70s zeitgeist and political climate that allowed for Camerawork to thrive.
Exhibition Text
Letter to Kate Bush from David Hevey
A flyer for Camerawork's darkroom, workshops, courses, events and exhibitions: Our Lady of the Ig...