193 results
Amin reflects on his experiences as a young adult trying to break into filmmaking, and ultimately...
Peck discusses the development of the film ‘Nighthawks’, Britain’s first feature film about the g...
Peck discussing the pressure to create more ambitious and wider-ranging independent work against ...
Peck reflects on Four Corners' relationship with local people in Bethnal Green at the time.
Vaidyanathan talks about his desire to learn more about art and photography. He started going to ...
The inspiration for the ‘Mass Observation’ issue of Camerawork came out of a Royal College of Art...
Trevor discussing many of the contemporaries that worked in or with Camerawork Magazine through t...
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...
Meadows recalls the efforts Half Moon made to reduce the elitist stigma around photography as art...
Pack discusses the prospect of photography being intertwined with Politics of Photography during ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Shot on location in Newham, East London, On Allotments might be regarded as a companion piece to ...
Programme notes for the Third International Avant-Garde Festival
Booklet to accompany the exhibition
Jan 1975; Setting up the Half Moon Theatre for the first Camera Obscured? seminar. Mike Goldwate...
Autumn 1975; George Solomonides sorting out Half Moon Gallery posters in the new office that the ...
Autumn 1975; Jo Spence in the new office that the Half Moon Theatre had made available, a small s...
Spring 1976; Jo Spence mailing out the second issue of Camerawork together with General Strike ex...
