201 results
Letter from Ed Barber dated 21 March 1979. Page 2 of 2
Letter to John Ezard. Page 2 of 2
Exhibition Contract between HMPW and George Plemper. Page 4 of 4
Exhibition Contract between HMPW and George Plemper. Page 3 of 4
Exhibition Contract between HMPW and George Plemper. Page 2 of 4
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes his HMPW laminated exhibition A Document on Chile
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper describes why he took to photographing his pupils as a young teacher.
Slaggy island improved - four children outside
A flyer for Camerawork's darkroom, workshops, courses, activities, events and exhibitions: Imagin...
Photo Print of an image of Saint George
Black and white photograph at the rear of the building at Camerawork
