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Archive

115 results


All; keyword:Tony Benn (1982)
Sort By: Name, Origination Date, Date Added
0002987_HalfmoonPhotography_Flyer_Camerawork_Oct_Nov_Dec_1988_page01.jpg
Flyer

Organisational - Half Moon Photography Workshop...

A flyer for Camerawork's darkroom, workshops, courses, activities, events and exhibitions: Imagin...
camerawork, courses, darkrooms, events, exhibition
camerawork, courses, darkrooms, events, exhibition, gallery, science fiction, talks, women, workshops
0000123_FourCorners_booklet_wilfthust_isthatit_1985_cover.jpg
Booklet

Is That It? - Wilf Thust

Printed programme to accompany the film. Includes detailed information of contributors and suppor...
experiment, project, role play
experiment, project, role play
0000032_Camerawork_Magazine_Issue31_1985_front.jpg
Magazine

Camerawork Magazine - Issue 31

Issue 31:Food: Images and Politics
1984, a few hotheads, advertising, agriculture, archive
1984, a few hotheads, advertising, agriculture, archive, black audio film collective, body image, campaign, coal, colonial legacy, colonialism, colonies, community, consumption, control, desire, distribution, domination, easington, empire, ethnic, factory, farming, federation of community photography, fleet street, food, french, fruit preservers, guilt, gwent collage of higher education, history, import, indian, industrial dispute, industry, international women’s day, lipton, meat, middlesex, mining, naughty but nice, newport museum and art gallery, newport survey, orwell, packaging, photography course, photomontage, pleasure, political struggle, postcards, posters, preserves, production, racism, rural life, sexual violence, sexuality, signs of empire and images of nationality, slaughterhouse, socialist, sprouts, street market, strike, students, sugar, supermarket, tea, the commodities project, tondu photo workshop, tradition, vegetarian, weight, west midlands arts, women, women workers, working class, workshop, world
0000033_Camerawork_Magazine_Issue32_1985_front.jpg
Magazine

Camerawork Magazine - Issue 32

Issue 32: Science and Technology
19th c, advertisement, american, apalachia, arts council of great britain
19th c, advertisement, american, apalachia, arts council of great britain, body, brunel, canadian, classroom, computer, conference, cultures, discipline, documentary, education, erotic, fantasies, female, foucault, gender roles, glamour, great western railway, health, history, illumination, indians, industrialisation, isolation, jo spence, kingdom, knowledge, light, maxism, model, native, nineteenth century, nude, objectivity, panopticon, photographers in education, polysnappers, post-modernism, power, press, private, progress, public, punishment, rationality, records, review of work 1950 – 85, rhetoric, role reversal, science, scientific frameworks, sculpture, semiotics, sexual identity, sexuality, steamship, stereotype, stories, surveillance, technology, television mythologies, truth, typist, underprivileged, victorian, visual display unit, wellbeing, women, word processing
0001987_Camerawork_Policy_GalleryProgramme_85_86_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Gallery Programme with details of exhibitions held at Camerawork in 1985-86 including attendance ...
gallery programme
gallery programme
0002941_Camerawork_Document_Camerawork_ScienceAndTechnology_WomenAndScience_PressRelease_1985_Page 1.jpg
Document

Women and Science - Roberta Graham, Sandra Lahi...

Press release for the "Women and Science" exhibition, part of the Science and Technology Programme
camerawork, dance, frankenstein, myth, science
camerawork, dance, frankenstein, myth, science, science fiction, sport, technology
0000030_Camerawork_Magazine_Issue30_1984_cover.jpg
Magazine

Camerawork Magazine - Issue 30

Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of War
act of looking, advertising, american, anthropology, appropriation
act of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
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