Camerawork Magazine - Issue 10
Issue 10: John Berger Jean Mohr Bill Jay Letter. Danny Lyon Interviewed. D.I.Y. Exhibitions'a seventh man', 'on photography', 'the family of man', 1973 coup, allende, alternative technology, attica rebellion, bikers, bill jay, black british, capitalism, captions, civil rights movement, class stereotypes, colonialism, copper industry, decline of photography, developing world, development of photography, documentary, economics of photography vs. film, editing, english psyche, exhibition captions, from photography to film, international labour office, lung disease, magnum, maternity, migrant workers, mining communities, oral history, photo-book, photography and memory, photography criticism, photomontage, pin-ups, play environments, political prisoners, pornography, post-colonialism, private vs. public photography, propaganda, publishing, racial discrimination, steel works, third world, touring exhibitions, trade unions, un, universality, us prisons, women workers, working children, workplace deaths, world health organisation
Camerawork Magazine - Issue 19
Issue 19: State of the Nation - E.P.Thompson, Photomontages by Peter Kennard, Edith Tudor-Hart - ...1930s, anthropology, apartheid, arts & action, arts council, blair peach, boycott, civil liberty, colonialism, community arts, context, cruise missile, cultural imperialism, dictatorship, geographical magazine, haywain, hayward gallery, historical interpretation, history, human rights, interpretation, jo spence, lilliput, margaret thatcher, marxist, meaning, mechanical reproduction, namibia, nato, observers of man, perspective, photography history, photomontage, police, police brutality, policie enquiry, political, representation, representation of women, rhondda valley, social role of women, stamp, surveillance, three perspectives on photography, women, women workers, workers' camera club, workers' film and photo league, working class wives, working in the 30's
Camerawork Magazine - Issue 31
Issue 31:Food: Images and Politics1984, a few hotheads, advertising, agriculture, archive, black audio film collective, body image, campaign, coal, colonial legacy, colonialism, colonies, community, consumption, control, desire, distribution, domination, easington, empire, ethnic, factory, farming, federation of community photography, fleet street, food, french, fruit preservers, guilt, gwent collage of higher education, history, import, indian, industrial dispute, industry, international women’s day, lipton, meat, middlesex, mining, naughty but nice, newport museum and art gallery, newport survey, orwell, packaging, photography course, photomontage, pleasure, political struggle, postcards, posters, preserves, production, racism, rural life, sexual violence, sexuality, signs of empire and images of nationality, slaughterhouse, socialist, sprouts, street market, strike, students, sugar, supermarket, tea, the commodities project, tondu photo workshop, tradition, vegetarian, weight, west midlands arts, women, women workers, working class, workshop, world