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Archive

86 results


All; keyword:Hackney Flashers Collective
Sort By: Name, Origination Date, Date Added
0003178_Still_Peter Kennard 2.jpg
Audio

Oral History Excerpt - Peter Kennard

Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
alternative processes, dissemination, non-commercial, publication
alternative processes, dissemination, non-commercial, publication
0002988_HalfmoonPhotography_Flyer_Camerawork_Apr_May_June_1988_page01.jpg
Flyer

Organisational - Half Moon Photography Workshop...

A flyer for Camerawork's darkroom, workshops, courses, events and exhibitions: Photopanels, The d...
camerawork, courses, darkrooms, events, exhibition
camerawork, courses, darkrooms, events, exhibition, gallery, talks, workshops
0001987_Camerawork_Policy_GalleryProgramme_85_86_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Gallery Programme with details of exhibitions held at Camerawork in 1985-86 including attendance ...
gallery programme
gallery programme
0000030_Camerawork_Magazine_Issue30_1984_cover.jpg
Magazine

Camerawork Magazine - Issue 30

Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of War
act of looking, advertising, american, anthropology, appropriation
act of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
0001994_Camerawork_AnnualReport_83_84_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Camerawork Annual Report 83/84 - including report on past 12 months and planning for future
annual report
annual report
0000027_Camerawork_Magazine_Issue26_1982_front.jpg
Magazine

Camerawork Magazine - Issue 26

Issue 26: Models of Vision/New Technologies
afterimage, appropriation, avant-garde, bias, bourgeoisie
afterimage, appropriation, avant-garde, bias, bourgeoisie, broadcast, capitalism, channel 4, circulation, colonialism, commodity, computer, constructed, consumption, control, coverage, culture, digital, disc, distribution, documentary, enlightenment, feminism, future, grand tour, graphics, history, identity, ideology, image, knowledge, looking, mafia, manipulation, maps, marx, mass consumption, mavica, mavigraph, meaning, media, narratives, nazis, new objectivity, new technology, nicaragua, ownership, perspective, philosophy, photography and capitalism, pirate radio, positivism, press, process, production, psychoanalysis, reading, reality, referent, representation, reproduction, revolution, science fiction, seeing, signification, signs, situationist, social documentary, spectacle, surrealism, system, technology, television, text, time, truth, video, vision, warfare, women
0000029_Camerawork_Magazine_Issue29_1983_cover.jpg
Magazine

Camerawork Magazine - Issue 29

Issue 29: Images of the Left, McClaren on Cable, Photomontage, Stuart Hall, Video
1981, advertising, album covers, alternative, atrocity
1981, advertising, album covers, alternative, atrocity, band, beirut, beta, branding, broadcast, cable, campaign, colin roach, committing photography, community activism, community arts, community practice, conflict, constraints, darkroom, documentary, documentary realism, east london media forum, economic recession, edinburgh television festival, entertainment, exit photography group, factory records, fashion, female representation, film, format, funding, genocide, graphic design, ideology, inner cities, interview, interviews, invasion, isaac julien, israel, labour, labour party, lebanon, left, london video arts, malcolm mclauren, milton keynes, montage, mtv, music, nam june paik, network, new media, new order, photographing television, photojournalism, picture agency, political photograph, pop, popular, poverty, press, promotion, record industry, record sleeve, rentasnap, rio cinema, riots, self-portrait, simulation, slide, socialism, socialist realism, stuart hall, studio, style, survival programmes, taking tv pictures, tape/slide, television, the photo co-op, vhs, video, video art, video distribution, video exhibition, war, women’s photography, working class, youth vote, zionism
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