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Archive

187 results


All; keyword:David A. Bailey
Sort By: Name, Origination Date, Date Added
0000021_Camerawork_Magazine_Issue20_1980_cover.jpg
Magazine

Camerawork Magazine - Issue 20

Issue 20: Zimbabwe - Managing History, Immigrant Women, Cover Women, Political Photomontage: Hear...
advertising, art and commerce, british photography, camerawork, chimurenga
advertising, art and commerce, british photography, camerawork, chimurenga, colonialism, community, cosmopolitan, economy, editorial, exhibition reviews, exploitation, feminism, gender stereotypes, german, hegemony, immigrant, left, magazine, magazine covers, mashona, national conference of socialist photography, new photography, north paddington community darkroom, photobooks, photomontage, politics of representation, portrait, portraiture, representation, representation of women, rhodes, rhodesia, socialism, spare rib, staeckbrief, stalinist, turkish, women, women and home, women's own, zimbabawe
0000025_Camerawork_Magazine_Issue24_1982_cover.jpg
Magazine

Camerawork Magazine - Issue 24

Issue 24: Photography and Graphic Design
1981, advertising, britain, charity, collage
1981, advertising, britain, charity, collage, collective, colonisation, control, cultural, elderly, empire, erotica, exploitation, feminist, feminist design, global issues, graphic design, hot pink heart graphics, identity, ideology, imperialism, india, interpretation, isolation, labour, liberation, magazine, mass production, Memory, montage, objectification, patriarchy, photography, photoworld exhibition, politics, pornography, positive, poster, poster film collective, poverty, print, printshop, propaganda, publicity, radical, recall, reminiscing, representation, reproduction, sexual politics, socialism, socialist, socialist worker party, spare rib, stereotypes, style, temporary hoarding, text and image, the people’s march for jobs, theory, trade unions, visual, women, women against violence against women, workers, workshop
0000029_Camerawork_Magazine_Issue29_1983_cover.jpg
Magazine

Camerawork Magazine - Issue 29

Issue 29: Images of the Left, McClaren on Cable, Photomontage, Stuart Hall, Video
1981, advertising, album covers, alternative, atrocity
1981, advertising, album covers, alternative, atrocity, band, beirut, beta, branding, broadcast, cable, campaign, colin roach, committing photography, community activism, community arts, community practice, conflict, constraints, darkroom, documentary, documentary realism, east london media forum, economic recession, edinburgh television festival, entertainment, exit photography group, factory records, fashion, female representation, film, format, funding, genocide, graphic design, ideology, inner cities, interview, interviews, invasion, isaac julien, israel, labour, labour party, lebanon, left, london video arts, malcolm mclauren, milton keynes, montage, mtv, music, nam june paik, network, new media, new order, photographing television, photojournalism, picture agency, political photograph, pop, popular, poverty, press, promotion, record industry, record sleeve, rentasnap, rio cinema, riots, self-portrait, simulation, slide, socialism, socialist realism, stuart hall, studio, style, survival programmes, taking tv pictures, tape/slide, television, the photo co-op, vhs, video, video art, video distribution, video exhibition, war, women’s photography, working class, youth vote, zionism
0001897_Camerawork_DHoffman_Ltr_Proposal_19840721_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Proposal Paper and Covering Letter from David Hoffman 21 July
proposal paper
proposal paper
0001994_Camerawork_AnnualReport_83_84_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Camerawork Annual Report 83/84 - including report on past 12 months and planning for future
annual report
annual report
0000015_Camerawork_Magazine_Issue14_1979_cover.jpg
Magazine

Camerawork Magazine - Issue 14

Issue 14: Reporting on Northern Ireland. Special Issue
1916 easter rising, amnesty international, army computers, army intelligence photography, bloody sunday massacre
1916 easter rising, amnesty international, army computers, army intelligence photography, bloody sunday massacre, bo bojesen, british army, british empire, british media, british press, buzz logan, castlereagh holding centre, catholic communities, censorship, child poverty, chris steele-perkins, colin jones, daily express, daily mail, daily mirror, dhss, history of ireland, housing, industrial development, infrastructure, internment, ira, ira funerals, john z delorean, long kesh prison, mass surveillance, mcgurk's bar bombing 1971, northern ireland peace movement, orange movement, paramilitary organisations, peace rally 1976, peter kennard, photo-journalism, police surveillance, police violence, raissa page, republicans, roy mason, ruc, sectarian violence, sinn fein, snatch squads, social work today, special branch, steve chibnall, sunday times, syd shelton, the observer, the troubles, tom atkins, tony benn, ulster defence regiment, unemployment, unionists, upi, visor magazine, workers' research unit
0000017_Camerawork_Magazine_Issue16_1979_cover.jpg
Magazine

Camerawork Magazine - Issue 16

Issue 16: Manchester Studies Archive, Nicaragua in the News, Japanese Photography Reviewed, Camer...
anti-realism, archives, camera obscura, camerawork, camerawork readers' meeting
anti-realism, archives, camera obscura, camerawork, camerawork readers' meeting, canon, capitalism, civil war, community, community photography, diagram, do it yerself, eikoh hosoe, family collection, fsln, history, horror, industry, instructions, japanese photography today and its origins, lewisham, managua, manchester studies archive rescue, marxism, news photography, nicaragua dictatorship and revolution, oral history, photography agencies, photography analysis, photography theory, photojournalism, phototography practice, political, race today, realism, sandinista, self-image, socialism, somoza, visual representation
0000027_Camerawork_Magazine_Issue26_1982_front.jpg
Magazine

Camerawork Magazine - Issue 26

Issue 26: Models of Vision/New Technologies
afterimage, appropriation, avant-garde, bias, bourgeoisie
afterimage, appropriation, avant-garde, bias, bourgeoisie, broadcast, capitalism, channel 4, circulation, colonialism, commodity, computer, constructed, consumption, control, coverage, culture, digital, disc, distribution, documentary, enlightenment, feminism, future, grand tour, graphics, history, identity, ideology, image, knowledge, looking, mafia, manipulation, maps, marx, mass consumption, mavica, mavigraph, meaning, media, narratives, nazis, new objectivity, new technology, nicaragua, ownership, perspective, philosophy, photography and capitalism, pirate radio, positivism, press, process, production, psychoanalysis, reading, reality, referent, representation, reproduction, revolution, science fiction, seeing, signification, signs, situationist, social documentary, spectacle, surrealism, system, technology, television, text, time, truth, video, vision, warfare, women
0000030_Camerawork_Magazine_Issue30_1984_cover.jpg
Magazine

Camerawork Magazine - Issue 30

Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of War
act of looking, advertising, american, anthropology, appropriation
act of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
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